Montmartre, Rive Gauche... neighborhoods or theme parks?

During the time I spent in Paris in 2017, I went to Montmartre, the quintessential Parisian neighborhood, home to renegades, artists, and renegade artists.  While I walked there (as much as I could, considering my impaired ankles) I wondered to what extent is the survival and identity of this area turned it into a kind of theme part about Paris in the 19th century.  Any ideas?  Take a look...

The carrousel that one meets upon exiting Abbesses, the metro station at the foot of the Montmartre hill.  It is, indeed, the Montmatre carrousel.

 

Poster store at the butte de Montmartre. 

Artist at work near the Place du Tertre.  He's not the only one in Montmatre.

Just as idealized as Montmartre is the Left Bank or Rive Gauche, with a number of spots that evoke (or rather scream) "Hey, this is an old place!"  From façades to cafés and park benches, there's an air of old things... But it is by no means something to dismiss. 

Gates of the Hotel de Ville. 

Street performer on the Ponte d'Arcole, a block away fron Nôtre Dame.  He's an unwilling prop in this strange museum... or just making a living?

Window corner of a building near the Ponte d'Arcole.  

Selfie takers at the Ponte d'Arcole, whose presence and attitudes only contribute to turn the place into a weird theme park... of sorts.

Now, both places have their very distinct areas and features.  Here's something from Montmartre.

People on the steps at the feet of Sacre Coeur.

One of the many stores and eateries in the windy streets around the basilique.  The "frogs"... 

Tables and a lone city hiker.

This air pervades the whole town... Is that the reason for its appeal?

Place de la République Dominicaine near Parc Monceau.  Those beautiful, impressive buildings exude old fashioned class...

This is the Café Courcelles, in the boulevard of the same name, at a place where two more streets meet.

The reason for the flags is that here, at the Passage des Ateliers, there's a flag making store (in addition to a wine bar and restaurant, and a few artists ateliers).

Whatever the answer, the city's charms remain unquestioned.  Perhaps it is always appealing because of its size, which seems adequate to human proportions and never overwhelms its visitors (no matter how large its museums and other places may be).  

In any case, as if it were necessary to say but I still want to add it, all the images above were made with a Leica M4, a Zeiss Biogon 35mm f2 lens, and a Sekonic L-208 meter in hand on Kenmere ISO 100 film (and, if not, Ilford FP4).

The reason I picked a Leica

Here they are, some photographs from a trip to Cartagena in August 2003. They turned out to be good enough (and my wife praised them so much) that I decided it was time to get a Leica camera. I earned it. They were all made with my old Canonet G-III QL17 and color slide film (except for the B&W, which are in Scala). See for yourself...

Couple in the Cartagena walls (which circle the city).

The street that follows Plaza Santo Domingo, in 2003. It's changed a little ever since...

I cannot recall the name of this street, but I think it leads to the Plaza Rodríguez de Madrid, in the San Diego neighborhood of Cartagena.

I still have my Canonet. Selling it would be out of the question. It's been resting for a while, without a battery, and I don't know exactly when I'll pick it up again. But it took going to a town that was in the middle of its summer, and it reacted remarkably well to all the abrupt temperature changes I subjected it to. After buying my Leicas I still used it a couple of times... but never later. Probably it's about time to dust it off and take it for a walk.

Next time I may have some recent scans from a nice slide roll used in my M4-2.

What if I had done these with a digital camera?

I have traveled all over the place with my Leicas. Here's some evidence, mostly produced with my M6TTL bodies and my trustworthy Hexanon or my newfangled Summilux, both 35mm.

In Amsterdam, I managed to capture these three men, not too far from a busy, commercial area. The whispering queen (M6TTL) did its job and they remained unfazed, in an image that strikes me as representative of urban solitude.

The fleamarket near the North Church (I don't dare write the name in Dutch as I cannot recall it well), with lots of vendors offering their wares.

Here, with my 28mm Elmarit and Scala film, I photographed the sign just because it made me chuckle. I don't quite know why... but the "Welcome seafood" made me think of a cook beckoning lobsters and crabs into a kitchen, while hiding behind the back a large stash of pots and pans.

In Dresden, my favorite German town, we arrived one time right before dusk. Walking down the Elba river after crossing the bridge, we were treated to this sight. I can imagine what a digital P&S would have done with this image: "rectify" the colors on the stone walls (!!!), and fix that terrible sky.

Then, there's the issue with the sun in this image below, with the backlit rider, the yellow sky and the dark foreground...

Now, what would have happened to the photograph below? Probably nothing, as digital gizmos are notably efficient at registering night images. I wonder why, actually... It was good that I was using a Leica M6TTL and my Summilux for some of these photographs, and good old Provia ISO 400.

I will return soon, with further images from the M4-2 on slide film.