Sometimes it's easy to forget things... like other lenses. So, this post is meant to remember them. In this case, a nice, wide and fast lens I happen to have: a Voigtländer Ultron 28mm f2. I had it with me on February 2014, when I went to Chicago and made these images with my Leica M4-2 and this lens.
The first image is "The Zebra Zone." A man crossing the street on Wabash Avenue, followed by "Under the L" (also in Wabash). Then comes "The Downward Spiral," a photograph inside the Chicago Cultural Center, of the staircase near their main exhibition hall. At the end, "Benches Horizon," a man sitting in the row of benches close to the walkway that goes from Millennium Park to the Art Institute of Chicago.
Is there a substantial difference between a 28 and a 35? I tend to shoot with the latter, it simply comes natural to me. About 10 years ago I acquired a 28mm Elmarit, and used it occasionally when I went on trips, but never quite bonded with it. When I got this one (which I really didn't need, but wanted a companion for an M4-P I purchased some time ago), I decided to challenge myself and "learn" to see the world through a wider perspective. I think I managed to succeed... but only because I learned to get closer. That's the odd quality of this focal length: at the same time you can get closer to your subjects, it still gives a lot of foreground and perspective. In short, a "wider" closeness... Strange? Sure, it is, but you'll have to allow it this time.
To think I was wearing a heavy coat when I took these photographs...
Coming soon, photos made with my M4-P. And also coming soon: the arrival of a new Leica M4, and the return of the prodigal Leica M2, this time in black paint. Of course, what really matters is the photographs one can make with tools like this one (taken by the seller of the camera):
See you soon!